Alla Claude-joseph Vernets Oljemålningar
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ID |
Bilder |
Oljemålningar Från A till Z |
Information |
43255 |
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A Sporting Contest on the Tiber at Rome |
mk170
1750
Oil on canvas
99.1x135.9cm
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67208 |
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Claude Joseph - A Seastorm |
99 ?? 137 cm Year 1752 |
67209 |
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Claude Joseph - The Night |
97.3 ?? 123.5 cm |
83182 |
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Interieur du port de Marseille |
Date 1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
cjr |
87570 |
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Interieur du port de Marseille |
1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
cyf |
90547 |
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Les Baigneuses |
1759(1759)
Medium : oil on cardboard
cjr |
71919 |
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Mountain Landscape with Approaching Storm |
1775(1775)
Oil on canvas
164 x 262 cm
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25706 |
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Night,A Port in Moonlight (mk43) |
1772
Musee du louvre,
Paris
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70699 |
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Seaport by Moonlight |
Medium Oil on canvas
Dimensions 98 x 164 cm
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75204 |
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Storm with a Shipwreck |
Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London
cjr |
56225 |
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the gypsy boy and girl |
mk247
c.1850,oil on canvas,44.875x35 in,114x89 cm,private collection |
70342 |
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The Night |
Medium Oil on canvas
Dimensions 97.3 X 123.5 cm
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43994 |
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The Wounded Trumpeter |
1819
Oil on canvas,
53 x 64 cm |
80218 |
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Vernet-bandol-detail |
la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m
Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295
cjr |
28434 |
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View Outside Sorrento |
mk60
1745/50
Oil on canvas
23 1/2x44"
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Claude-joseph Vernet
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French Painter, 1714-1789
Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.
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